In this print, Hirsch emphasizes the rounded geometry of a working class subject in bright and solid tones. The off-center composition of the artwork adds drama to the sharp lines of light and shadow that move across the paper. Like most of their…
Mexican landscapes, accentuated by animals and desert plants, became a fascination for Hirsch as he began to emulate popular Mexican artistic styles. In this print, three donkeys graze on a landscape of varied coloration, as a white stone arch…
Using the ethnographic museum as source material, Hirsch deploys the iconography of archaeology and exhibition to mix elements of Pre-Columbian cultures with modern style. The drawing emphasizes the development of museum culture in Mexico, such as…
Hirsch and Rogo visited the “Temple of the Serpents” at Chichen Itza, a major Mayan site in the Yucatan Peninsula. In Mayan culture, the chacmool was a ceremonial statue featuring a reclining warrior. These statues were centrally featured in Mayan…
Playful and mysterious, here Hirsch uses the motif of the serpent among the ruins of a temple, probably at Chichen Itza. The Mayan feathered serpent deity, Kulkukan, was prominently represented throughout Chichen Itza, and Hirsch and Rogo likely…